A coastal landscape with fishermen pulling in their nets at sunset, others repairing their boats and resting on the shore by a rocky outcrop, a town on the hills beyond

Carlo Bonavia was a Neapolitan follower of Claude-Joseph Vernet. Vernet worked in Naples intermittently between 1736-1746 and the circle of artists he influenced includes not only Bonavia, but Pierre-Jacques Volaire, Alexandre-Jean Noël, Lacroix de Marseilles and Francesco Fidanza. Bonavia occasionally copied Vernet's compositions, especially in his early career, and sometimes the two artists' works were confused - as the later inscriptions of Vernet's name on the present paintings indicate. However, Bonavia created his own distinctive style, especially evident in his pastel palette and chalky finish, which differs significantly from that of Vernet. Bonavia achieved renown in his lifetime, for example, Karl Joseph Firmian, the Austrian ambassador to Naples from 1753-58 is documented as having acquired seventeen works by the artist.

The attribution was confirmed by Professor Giancarlo Sestieri at the time of the New York sale, on the basis of photographs (private communication, 17 April 2011).