A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)
A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)
A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)
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A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)
5 More
A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)

NARA PERIOD (8TH CENTURY)

Details
A WOOD PAGODA FROM THE SET OF 'ONE MILLION PAGODAS' (HYAKUMANTO)
NARA PERIOD (8TH CENTURY)
A tiered wood pagoda with detachable finial opening to the hollow pole, with traces of white gesso; with a fragment of the original printed dharani charm
8 ½ in. (21.5 cm.) high

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

The Empress Shotoku, either in gratitude or hopes for the end of civil strife or to atone for an inappropriate liaison with a Buddhist monk (accounts vary), commissioned one million miniature pagodas to be placed in Buddhist temples throughout Japan. Each hyakumanto contained in its hollow core one small scroll, called dharani, in Sanskrit with Chinese characters, printed on paper from either a wood block or metal plate (historians disagree on the production method). The Buddhist charm or prayer is an excerpt from a sutra (a collection of precepts) that promises expiation of sin and the awarding of religious merit through the copying of prayers and construction of the repositories. There was a selection of four texts for the dharani. This is the earliest authenticated physical example of printing (there is a Korean contender), preceding Gutenberg’s moveable type by several centuries. Although there remain pagodas in the temple at Huryuji, examples of the hyakumanto are fairly rare outside of Japan.

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