A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET
A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET
A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET
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A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET
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A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET

ANTONINE PERIOD, CIRCA 125-175 A.D.

Details
A ROMAN IRON AND TINNED BRONZE CAVALRY HELMET
ANTONINE PERIOD, CIRCA 125-175 A.D.
11 in. (28 cm.) high
Provenance
Axel Guttmann (1944-2001), Berlin, acquired in Munich, 1994 (Inv. no. AG461/H237).
The Axel Guttmann Collection of Ancient Arms and Armour, Part 2, Christie's, London, 28 April 2004, lot 146.
with Royal-Athena Galleries, New York, acquired from the above (Ancient Arms, Armor, and Images of Warfare, 2004, no. 35).
Mr. and Mrs. Charles W. Newhall III, Baltimore, acquired from the above.
Property of Mr. and Mrs. Charles W. Newhall III; Antiquities, Christie's, New York, 11 December 2009, lot 175.
Acquired by the current owner from the above.
Literature
M. Junkelmann, "Roman Helmets in the Axel Guttmann-Collection, Berlin," Journal of Roman Military Equipment Studies, vol. 10, 1999, pp. 82-83, fig. 5.
M. Junkelmann, Römische Helme: Sammlung Axel Guttmann, vol. 8, Berlin and Mainz, 2000, pp. 88-90, 147-148, 159-160, pls. XIX-XX, foldouts I and II.
M. Junkelmann, "Roman Militaria," in M. Merrony, ed., Mougins Museum of Classical Art, Mougins, 2011, pp. 235, 255, fig. 54.
T Fischer, Die Armee der Caesaren: Archäologie und Geschichte, Regensburg, 2012, p. 209, fig. 303.
M. Merrony, Musée d’Art Classique de Mougins, La Collection Famille Levett, Mougins, 2012, p. 74.
"La plus grande collection privée d’armures, de casques, de boucliers au monde," Egypte Ancienne, no. 8, May-July 2013, p. 70.
A.E. Negin, “Roman Helmets with a Browband Shaped as a Vertical Fronton,” Historia I Swiat, no. 4, 2015, p. 37, fig. 12.
R. D’Amato and A.E. Negin, Decorated Roman Armour, From the Age of the Kings to the Death of Justinian the Great, Yorkshire, 2017, pp. 83, 85, fig. 79.
F. McIntosh, et al., Hadrian's Cavalry, Tyne and Wear, 2017, p. 28.
M.C. Bishop, "Along the Wall with Hadrian's Cavalry," Minerva, May-June 2017, p. 12, figs. 10a-b.
I. Appy, "L’armée de Rome à Arles antique," (online, article, laprovence.com, 2018).
"Expo musée d’Arles: 'L’Armée de Rome, la puissance et la gloire," (online article, humanhist.com, 2018).
K. Schörle, ed., L'Armée de Rome: La Puissance et la Gloire, Arles, 2018, p. 80, no. 37, ill. front cover.
J. Coulston, "The Power and the Glory," Minerva, March/April 2019, p. 16, fig. 5.
T. Fischer, Army of the Roman Emperors: Archaeology and History, Oxford, 2019, p. 180, figs. 303a, 303b, ill. front cover.
L. Rivière, "Une vie de légionnaire," in S. Laval and M. Pascal, eds., Invictus: Au coeur de deux Légions mythiques, Aubagne, 2020, p. 28.
Exhibited
Musée d'Art Classique de Mougins, 2011-2023 (Inv. no. MMoCA470).
Carlisle, Tullie House Museum, Hadrian's Cavalry, 8 April-10 September 2017.
Arles, Musée départemental Arles antique, L'Armée de Rome: La Puissance et la Gloire, 15 December 2018-22 April 2019.
Aubagne, Musée de la Légion étrangère, Invictus: Au coeur de deux légions mythiques, 10 September 2020-3 October 2021.

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

This powerful helmet is composed of an iron core laminated with embossed tinned bronze. The basic form is that of an Attic helmet, with a horizontal, flaring neck-guard and hinged cheek-pieces that cover the ears. The ornament consists of two stylized bands of laurel, one that encircles and one that runs across the crown. Within the lunate-shaped spaces created at each side by the laurel bands is an eagle wing above a lozenge-filled rectangle. Standing on a raised groundline at the back is a spread-winged eagle, flanked by two lozenge-filled rectangular elements topped with triangles. Along the side edges, ear-guards are riveted in place. The cheek-guards, cusped along their forward edge, have naturalistically-modelled ears, a central circular boss perhaps representing an equestrian shield (parma equestris), and scallop shells within the corners, all outlined by beading.

This helmet has been classified as transitional between the Weiler/Koblenz-Bubenheim type and the Guisborough/Theilenhofen type (see D’Amato and Negin, op. cit., p. 85). It has been suggested that this is one of the most complete examples known, as it is only missing the peaked diadem that was once attached at the forehead. The authors also inform that despite its rich decoration, there is no reason to believe that this helmet would not have been worn in combat rather than serving purely as a parade item. For a Roman marble head of a warrior wearing a helmet similarly adorned with laurel, but with different cheek-pieces, see pl. 295 in R. D’Amato and G. Sumner, Arms and Armour of the Imperial Roman Soldier, From Marius to Commodus, 112 BC-AD 192. The eagle on the back of this helmet was a common military symbol for the Roman legions, as they were employed on the military standards carried into battle by the aquilifer or “eagle-bearer.” The eagle was also an attribute of Jupiter, so its presence on the helmet would have provided symbolic protection from the chief of the Roman gods.

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