FRANZ WEST (1947-2012)
FRANZ WEST (1947-2012)
FRANZ WEST (1947-2012)
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FRANZ WEST (1947-2012)
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ADAM: Works from the Collection of Adam Lindemann
FRANZ WEST (1947-2012)

Unique Table (Oval), 2004

Details
FRANZ WEST (1947-2012)
Unique Table (Oval), 2004
stained composite wood, patinated steel
29 3/8 x 64 1/8 x 96 5/8 in. (74.6 x 162.9 x 245.4 cm)
Provenance
Galerie Eva Presenhuber, Zurich, acquired directly from the artist
Acquired from the above by the present owner, 2004
Literature
V. Loers, Franz West, Cologne, 2006, p. 147, no. 78 (for a related example)
Further details
Christie's would like to thank the Archive of the Franz West Privatstiftung for their assistance with the cataloguing of this lot.

Brought to you by

Julian Ehrlich
Julian Ehrlich Associate Vice President, Specialist, Head of Post-War to Present Sale

Lot Essay

This oval table, created by Franz West in 2004 and purchased directly from the artist, a unique yet unsurprising result of how he approached his art. West designed his furniture in the same manner as his sculptures. At the forefront was the idea of relation, the tactile aspects of the form, and the potential ways it could be used. He intended for his art to stimulate interaction and for his furniture to blur the lines of form and function. He was quoted saying, “It does not matter what art looks like but how it is used,” and his sculptural furniture fully embodies this. Like much of his work, West created the table using materials that went against what most would perceive as “Design.” The particle board combined with the unrefined steel legs resembles a sculpture assembled using found objects. This table is unique in the oeuvre of Franz West, both in form and function. He had essentially stripped down the other tables to their most basic definition; a quadrilateral top attached to four straight legs devoid of the texture and energy demonstrated here. The oval table is more than a plinth whose sole purpose is to support another piece of art. It is meant to be observed and utilized as an extension of the art that is displayed alongside it. Additional examples of his interrelational works have been exhibited worldwide at museums such as Tate Modern in London, the Museum of Modern Art in New York, and the Centre Pompidou in Paris.

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