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THE CABINET ROME OR FLORENCE, SECOND HALF 17TH CENTURY, THE PIETRA DURA PANELS LARGELY ATTRIBUTED TO THE GRAND DUCAL WORKSHOPS, FLORENCE, MODIFIED IN THE 18TH CENTURY, WITH FURTHER EMBELLISHMENTS IN THE MID-19TH CENTURY INCLUDING THE STAND

A LARGE URBINO MAIOLICA DOCUMENTARY ARMORIAL ISTORIATO CHARGER

DATED 1541, BY FRANCESCO XANTO AVELLI IN FRANCESCO DA SILVANO’S WORKSHOP

A LARGE DUCHY OF URBINO MAIOLICA ISTORIATO CHARGER

CIRCA 1525, PROBABLY CASTEL DURANTE

A RARE ART DECO ROCK CRYSTAL, DIAMOND, MOTHER-OF-PEARL AND BLACK ONYX 'MODEL A' MYSTERY CLOCK

SIGNED CARTIER PARIS, 1843, CIRCA 1920

A LOUIS XIV BEAUVAIS TAPESTRY

AFTER THE DESIGN BY GUY-LOUIS VERNANSAL, JEAN-BAPTISTE BELIN DE FONTENAY AND JEAN-BAPTISTE MONNOYER, LATE 17TH CENTURY

A LOUIS XVI ORMOLU GROUP DEPICTING AN ALLEGORY OF LEARNING, KNOWLEDGE AND VIGILANCE

BY FRANCOIS REMOND, AFTER A DESIGN BY LOUIS-SIMON BOIZOT, SUPPLIED TO DAVID ROENTGEN, CIRCA 1785-87

A LOUIS XV ORMOLU-MOUNTED AMARANTH, BOIS SATINE, BURR-ELM, KINGWOOD, TULIPWOOD AND MARQUETRY SECRETAIRE A ABATTANT

ATTRIBUTED TO JEAN-PIERRE LATZ AND JEAN-FRANÇOIS OEBEN, MID-18TH CENTURY

NOËL BELLEMARE (ANVERS ?, VERS 1495-1546 PARIS) ET JEAN CLOUET (BRUXELLES 1480-1541 PARIS)

François I er , entouré de sa cour, reçoit un ouvrage de son auteur

TWO PARCEL-GILT BRONZE BUSTS OF LOUIS XIV AND THE GRAND CONDÉ

FRENCH, AFTER MODELS ATTRIBUTED TO JEAN WARIN (1604/1606-1672) AND ANTOINE COYSEVOX (1640-1720), FIRST HALF 19TH CENTURY

A BERNARD PALISSY OR HIS WORKSHOP EARTHENWARE ‘PLAT DU DELUGE’ LARGE OVAL DISH

CIRCA 1565-1570, PARIS

AN ITALIAN ROCK CRYSTAL AND EMBOSSED GILT-COPPER MIRROR

PROBABLY VENICE, LATE 17TH CENTURY

A PAIR OF LATE LOUIS XV ORMOLU-MOUNTED, BRASS-INLAID, JAPANESE LACQUER AND EBONY MEUBLES A HAUTEUR D'APPUI

STAMPED MARTIN CARLIN, CIRCA 1765-70, FORMERLY ENCOIGNURES, ADAPTED PROBABLY IN THE FIRST HALF OF THE 19TH CENTURY

A PAIR OF LOUIS XV ORMOLU CHENETS 'AUX CHEVAUX CABRES'

ATTRIBUTED TO JACQUES CAFFIERI, CIRCA 1745-49

A RARE SUITE OF FOUR LOUIS XV SAVONNERIE PANELS

AFTER A DESIGN BY FRANÇOIS DESPORTES, CIRCA 1719-39, THE LOUIS XVI-STYLE SCREEN 19TH CENTURY

A GERMAN RENAISSANCE SILVER-GILT MOUNTED CARVED NAUTILUS CUP AND COVER

MARK OF MELCHIOR BAIR, AUGSBURG, 1602-1606, WITH LATER ELEMENTS; THE SHELL PROBABLY CARVED IN GUANGZHOU (CANTON), CHINA, 16TH CENTURY

AELBERT CUYP (DORDRECHT 1620-1691)

A landscape with riders on a path

A LARGE HISPANO-MORESQUE EARTHENWARE GOLD-LUSTRED BASIN OR EWER-STAND

CIRCA 1475-1494, VALENCIA, PROBABLY MANISES

A PAIR OF ITALIAN ORMOLU THREE-BRANCH WALL-LIGHTS

PROBABLY TURIN, ATTRIBUTED TO FRANCESCO LADATTE, CIRCA 1760-1770

A PAIR OF LOUIS XVI ORMOLU-MOUNTED PORFIDO VERDE ANTICO VASES AND COVERS

CIRCA 1775

A PAIR OF LOUIS XV ORMOLU CHENETS

POSSIBLY BY JACQUES CAFFIERI, MID-18TH CENTURY

A PAIR OF LOUIS XVI ORMOLU-MOUNTED PORPHYRY 'VASES NAVETTE'

THE PORPHYRY ROMAN, 17TH CENTURY, THE ORMOLU CIRCA 1785

A PAIR OF DIRECTOIRE MAHOGANY AND EBONIZED BERGERES

BY JEAN-BAPTISTE CLAUDE SENÉ, CIRCA 1795-1800

A LATE LOUIS XV ORMOLU AND PORCELAIN-MOUNTED TULIPWOOD, SYCAMORE AND HOLLY GUERIDON

BY MARTIN CARLIN, CIRCA 1775, PROBABLY SUPPLIED BY DOMINIQUE DAGUERRE, THE PORCELAIN 19TH CENTURY, IN THE MANNER OF SEVRES

A LOUIS XVI GILTWOOD BERGERE A OREILLES

POSSIBLY BY GEORGES JACOB, LAST QUARTER 18TH CENTURY

A LARGE HISPANO-MORESQUE EARTHENWARE BLUE AND GOLD-LUSTRED ARMORIAL LARGE DEEP DISH OR BASIN

THIRD QUARTER OF THE 15 TH CENTURY, VALENCIA, PROBABLY MANISES

TWO BRONZE AND MARBLE BUSTS OF EMPERORS MARCUS AURELIUS AND LUCIUS VERUS

ITALIAN, THE HEADS MID-16TH CENTURY, THE ASSOCIATED SHOULDERS 16TH CENTURY

A GERMAN SILVER-GILT MOUNTED NAUTILUS CUP

MARK OF JOHANN WAGNER, AUGSBURG, 1687-1691; THE CARVING AND ENGRAVING ATTRIBUTED TO CORNELIS BELLEKIN (C.1625 - BEFORE 1711)

A MOTHER-OF-PEARL EWER AND BASIN

INDO-PORTUGUESE, GUJARAT, 17TH CENTURY

A SET OF SIX LOUIS XV GILTWOOD CHAISES

BY JEAN AVISSE, CIRCA 1760

A LARGE DUCHY OF URBINO MAIOLICA DATED ISTORIATO CHARGER

DATED 1531

A LOUIS XV PATINATED-BRONZE AND ORMOLU MANTEL CLOCK 'A L'ELEPHANT'

MID-18TH CENTURY, THE MOVEMENT BY JEAN LENOIR

A DUTCH BASSE-TAILLE ENAMELLED GOLD WEDDING FORK AND KNIFE

PROBABLY AMSTERDAM, CIRCA 1608

A DUTCH SILVER-GILT GUILD CUP AND COVER

MAKER'S MARK A UNICORN UNIDENTIFIED, THE HAGUE, 1615

TWO SEVRES PORCELAIN GREEN-GROUND TUREENS, COVERS AND STANDS (POTS A OILLE ET PLATEAUX)

CIRCA 1762 AND 1771, BLUE INTERLACED L’S MARKS ENCLOSING DATE LETTER I ON ONE STAND, DATE LETTER S ON A TUREEN AND A STAND, THIS TUREEN WITH PAINTER’S MARK FOR J.-F. MICAUD

A LARGE HISPANO-MORESQUE EARTHENWARE BLUE AND LUSTRED CHARGER

CIRCA 1435-1460, VALENCIA, PROBABLY MANISES

A CIRCULAR LIMOGES ENAMEL CHARGER DEPICTING THE STORY OF PSYCHE

WORKSHOP OF PIERRE REYMOND, SECOND HALF 16TH CENTURY

A LOUIS XV ORMOLU-MOUNTED SATINWOOD, TULIPWOOD AND KINGWOOD BOIS DE BOUT MARQUETRY WRITING TABLE

BY BERNARD II VAN RISENBURGH, MID-18TH CENTURY

A PAIR OF LOUIS XV ORMOLU AND CHINESE 'CLAIR DE LUNE' CELADON PORCELAIN VASES

THE MOUNTS ATTRIBUTED TO JEAN-CLAUDE CHAMBELLAN DUPLESSIS, MID-18TH CENTURY, THE PORCELAIN QING DYNASTY, 18TH CENTURY

A PAIR OF POLISH JEWEL-MOUNTED SILVER-GILT TORAH FINIALS OR RIMMONIM

APPARENTLY UNMARKED, PROBABLY GALICIA, 1760-1780; WITH LATER AUSTRO-HUNGARIAN CONTROL MARKS FOR CRAKOW 1806-1807

AN EXTENSIVE COMPOSITE SEVRES PORCELAIN GREEN-GROUND PART DINNER AND DESSERT SERVICE

CIRCA 1761-1786, INTERLACED L'S ENCLOSING VARIOUS DATE LETTERS, MOST ENCLOSING DATE LETTER K FOR 1763 OR S FOR 1771, VARIOUS PAINTERS', GILDERS' AND INCISED MARKS