Few artists have achieved the success and celebrity of Pablo Picasso or been so instrumental in fashioning the public’s understanding of what art and the artist can be. By the end of his long life, Picasso had become the defining artist of his century. His career spanned nearly 80 years and numerous celebrated love affairs — and although he saw himself primarily as a painter, he had worked in almost every medium, from ceramics to theatrical design.
Born in Malaga in 1881, the young Picasso displayed a precocious talent that was fostered by his father, a university art teacher. At the age of 14 he was producing astonishingly accomplished works like Girl with Bare Feet (1895). Yet, as he was to say famously of his early training, ‘It took me four years to paint like Raphael, but a lifetime to paint like a child.’ It was Picasso’s quest for this playful, primal and childlike perspective that would come to define his work and have such a profound effect on the course of modern art.
His first success was forged at the tail end of Post-Impressionism, having settled in Montmartre, Paris, in the early 1900s. Following flirtations with Symbolism during his Blue and Rose Periods, he became increasingly influenced by Cezanne and then by non-Western art. In 1907 he produced his Primitivist masterpiece painting, Les Demoiselles d’Avignon (1907). By 1908, he and Georges Braque had taken Primitivism a step further with their development of Cubism. Beautifully exampled in Picasso’s Woman with Guitar (‘Ma Jolie’) (1911–12), Cubism tore up the rules of single-perspective representation that had defined art since the Renaissance. It was a revolutionary moment that would dictate the course of 20th-century art.
Picasso would live in France until his death in 1973, continuously inventing and responding to the ideas of the wider artistic world and producing some of the defining works of the 20th century. Guernica (1937), Les femmes d’Alger (Version ‘O’) (1955), his portraits of Dora Maar, his minotaur etchings, his salvage sculptures and ceramics all continue to stand as testament to his versatile and prolific talent. Picasso was businessman, genius and maverick in equal measure.
Pablo Picasso (1881-1973)
Tête au masque (A.R. 362)
Pablo Picasso (1881-1973)
Joueur de diaule (A.R. 1)
Pablo Picasso (1881-1973)
Chouette (A.R. 48)
Pablo Picasso (1881-1973)
Visage géométrique (A.R. 357)
Pablo Picasso (1881-1973)
Femme endormie
Pablo Picasso (1881-1973)
Jeune fille ( recto ); Étude pour "les Saltimbanques" ( verso )
Pablo Picasso (1881-1973)
Nu de profil
PABLO PICASSO (1881-1973)
La Toilette de la mère, from La Suite des Saltimbanques
PABLO PICASSO (1881-1973)
L'Atelier
PABLO PICASSO (1881-1973)
Scéne bacchique au minotaure, from La Suite Vollard
PABLO PICASSO (1881-1973)
La Suite Vollard: two plates
PABLO PICASSO (1881-1973)
Sueño y mentira de Franco
AFTER PABLO PICASSO (1881-1973)
Tête de Femme (Dora Maar)
PABLO PICASSO (1881-1973)
Portrait de Françoise à la résille
PABLO PICASSO (1881-1973)
Picador, Femme et Cheval
PABLO PICASSO (1881-1973)
Portrait de Jacqueline de Face II
PABLO PICASSO (1881-1973)
Femme au Chapeau à fleurs
PABLO PICASSO (1881-1973)
Femme au bandeau
PABLO PICASSO (1881-1973)
Grand nu de femme
PABLO PICASSO (1881-1973)
L'Étreinte, I
PABLO PICASSO (1881-1973)
La S é rie 347: three prints
PABLO PICASSO (1881-1973)
La S é rie 347: three prints
PABLO PICASSO (1881-1973)
La S é rie 347: three prints
PABLO PICASSO (1881-1973)
Halte de Comédiens Ambulants, avec hibou et bouffon enlaçant une femme, from La Série 347
PABLO PICASSO (1881-1973)
La Série 156 : three prints
PABLO PICASSO (1881-1973)
Raphaël et la Fornarina. XIX: Pape sur son pot, avec tiare et manchon; Michel-Ange est caché sous le lit
Pablo Picasso (1881-1973)
Les femmes d'Alger (Version 'O')
Pablo Picasso (1881-1973)
Fillette à la corbeille fleurie
Pablo Picasso (1881-1973)
Nude, Green Leaves and Bust
Pablo Picasso (1881-1973)
Femme assise près d'une fenêtre (Marie-Thérèse)
Pablo Picasso (1881-1973)
Buste de femme (Femme à la résille)
Pablo Picasso (1881-1973)
Portrait d'Angel Fernández de Soto
PABLO PICASSO (1881-1973)
Tête de femme (Fernande)
Pablo Picasso (1881-1973)
Femme assise, robe bleue
PABLO PICASSO (1881-1973)
Femme endormie
PABLO PICASSO (1881-1973)
Nature morte à la fenêtre
Pablo Picasso (1881-1973)
Femme accroupie (Jacqueline)
PABLO PICASSO (1881-1973)
Mousquetaire à la pipe II
Pablo Picasso (1881-1973)
Femme assise dans un fauteuil
Pablo Picasso (1881-1973)
La Lampe
Pablo Picasso (1881-1973)
Femme dans un fauteuil
Pablo Picasso (1881-1973)
Les femmes d'Alger (version 'F')
Pablo Picasso (1881-1973)
Femme assise, robe bleue
Pablo Picasso (1881-1973)
Claude et Paloma
Pablo Picasso (1881-1973)
Femme au costume turc dans un fauteuil
PABLO PICASSO (1881-1973)
Femme accroupie en costume turc II (Jacqueline)
Pablo Picasso (1881-1973)
Femme dans un fauteuil (Dora Maar)
Pablo Picasso (1881-1973)
La Lettre (La Réponse)
PABLO PICASSO (1881-1973)
L'Arlésienne (Lee Miller)
Pablo Picasso (1881-1973)
Buste de femme (Dora Maar)