Keith Haring prints

Keith Haring’s prints played a crucial role in making his art widely available while preserving the immediacy of his hand-drawn works. Using screenprinting techniques, he replicated his iconic figures and symbols in bold, high-contrast colours. His prints frequently carried messages of activism, reflecting his commitment to issues such as AIDS awareness, racial equality and anti-nuclear sentiment. By embracing printmaking, Haring ensured that his work remained accessible beyond traditional galleries, cementing his influence as both an artist and a cultural phenomenon.

KEITH HARING (1958-1990)

Andy Mouse: One Plate

KEITH HARING (1958-1990)

Andy Mouse: one plate

Keith Haring

Andy Mouse (L. p. 64-65)

BANKSY

Choose your Weapon (Grey)

KEITH HARING (1958-1990)

The Fertility Suite

KEITH HARING (1958-1990)

Untitled (Medusa)

KEITH HARING (1958-1990)

Growing : one print

KEITH HARING (1958-1990)

Growing : one print

KEITH HARING (1958-1990)

Untitled, from Three Lithographs

KEITH HARING (1958-1990)

William S. Burroughs, Apocalypse

KEITH HARING (1958-1990)

Growing : one print

KEITH HARING (1958-1990)

Growing : one print

KEITH HARING (1958-1990)

Growing : one print

KEITH HARING (1958-1990)

Pyramids : one print

KEITH HARING (1958-1990)

Art Attack on AIDS

KEITH HARING (1958-1990)

Totem (Concrete)

KEITH HARING AND ANDY WARHOL

Andy Mouse : one plate (Littmann p.68)

KEITH HARING (1958-1990)

Growing : One Print

KEITH HARING (1958-1990)

One plate, from: Growing

Keith Haring

Growing Series I-V (L. pp. 88-91)

Keith Haring

Retrospect (L. p. 120-1)

KEITH HARING

Retrospect (L. p. 120-1)

KEITH HARING AND ANDY WARHOL

Andy Mouse : one plate (L. p. 68)

KEITH HARING (1958-1990)

Chocolate Buddha 1-5

KEITH HARING (1958-1990)

Pyramids : one print

KEITH HARING (1958-1990)

Pyramid : one plate

KEITH HARING

Retrospect (L. pp. 120-1)